April 13--For today's prompt, write a poem that remembers an old relationship. This relationship does not have to be romantic. It could be a departed (or estranged) family member, old friend, former teacher, or even just someone you briefly encountered. And the relationship may have even been one-sided or seemingly insignificant to the other person.
They Called Him Giuseppi
By Bill Kirk
They called him Giuseppi—
An old man by almost any standards.
His deeply tanned and
Weathered face and hands,
Left no doubt he had seen
More than his share of work
In the Mediterranean sun.
And yet, he had a certain
Athleticism about him, as if
He knew his way around
A cinder track and knew even far more
About the runners who raced there.
With a quiet nonchalance,
Giuseppi knowingly watched
From his perch high among
The irregular tiers of the
Hand cut stone benches.
His eyes were on a lone runner
Gliding around the ancient oval,
As so many thousands had done
Over countless centuries before.
The runner’s smooth stride hid almost any
Imperfection in his training regimen.
But Giuseppi sensed something out of kilter.
The straight-aways were fine—
Each footstrike found its intended mark
As a bowman would send
His arrow to its distant target.
But as the runner leaned into each curve,
Giuseppi could almost feel the
Imperceptible twinge himself.
There it was—a tightness in the calf
And an ever-so-slight pull in the hamstrings
Which flattened the heel—dulled the rebound.
Yet, the runner kept up his pace,
Through the long curve, once again
Pushing into the home stretch.
How many more repeats would he do?
Giuseppi knew he would disagree with
The runner’s automatic answer—
“Oggi, faccio altri dieci.”—“Ten more today,” he said,
Because that’s just what he did on Wednesdays.
“Basta! Oggi non più. Vieni qui!” Giuseppi beckoned
With his voice and a single palm-down gesture.
Giuseppi knew instinctively an interruption today
Would pay dividends in days to come.
They walked together to a small wooden locker
Down near the edge of the track.
Releasing the latch, Giuseppi revealed
The tools of his trade inside the cabinet—
Oils, lotions and salves in dust-caked vials and tubes.
He warmed a small dollop of pungent salve
Between his leathered hands.
In silence and with a surgeon’s precision,
He pulled and pushed into the belly of the muscle.
Alternately using the edges of
Thumbs, knuckles, palms and finger tips,
He teased out the hidden pain lying
Deep inside, waiting to be exposed.
At first skeptical and wishing for its end,
The runner soon relished this
Trackside treatment, eager for more
As the stabbing pain subsided
With each smooth stroke.
Inside fifteen minutes,
The lone spectator was done.
Then, just as quickly and quietly
He was gone—as if he had never been—
And would never be seen again.
Only the memory of his image
And his handiwork remained
As an ever present reminder
Of the man they called Giuseppi….
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Thursday, April 14, 2011
Tuesday, April 12, 2011
Poem A Day Challenge for April 12
April 12—And just like that, we're already on to our second "Two for Tuesday" prompt of the challenge. I know this is a prompt that some poets have been craving, while others probably not so much. Regardless, I did this one on Tuesday to provide some options:
1. Write a form poem. This could be a sonnet, pantoum, lune, or even something as sinister as a--dare I say it--sestina. If you need a list of poetic forms and there rules, click here.
2. Write an anti-form poem. Just as there are poets who love playing with forms, there are poets who think they are the worst thing ever. That's fine. Express (in either free verse or a prose poem) your feelings on writing in traditional forms.
On Formlessness
By Bill Kirk
Could it be some days the poetry
Will be less well formed than others?
I’d have to say, it’s true.
Tonight, my brain itself is a formless blob.
Thus any attempt at poetic form
Will likely have scant chance at success.
Yet, I suppose the very capture of
Any thought or idea takes on
A certain structure, even if drawn
From wordless mush—much as
An artist’s blank canvass will
Eventually move toward an
Expression of artistic form,
Even if very sketchy.
Far be it for me to
Squeeze, mold or force
These words into a shape
They have no interest in taking.
Perhaps words on a page
Will somehow find their natural form
Much as water seeks its own level.
Might formelessness be its own reward?
1. Write a form poem. This could be a sonnet, pantoum, lune, or even something as sinister as a--dare I say it--sestina. If you need a list of poetic forms and there rules, click here.
2. Write an anti-form poem. Just as there are poets who love playing with forms, there are poets who think they are the worst thing ever. That's fine. Express (in either free verse or a prose poem) your feelings on writing in traditional forms.
On Formlessness
By Bill Kirk
Could it be some days the poetry
Will be less well formed than others?
I’d have to say, it’s true.
Tonight, my brain itself is a formless blob.
Thus any attempt at poetic form
Will likely have scant chance at success.
Yet, I suppose the very capture of
Any thought or idea takes on
A certain structure, even if drawn
From wordless mush—much as
An artist’s blank canvass will
Eventually move toward an
Expression of artistic form,
Even if very sketchy.
Far be it for me to
Squeeze, mold or force
These words into a shape
They have no interest in taking.
Perhaps words on a page
Will somehow find their natural form
Much as water seeks its own level.
Might formelessness be its own reward?
Monday, April 11, 2011
Poem For A Day Challenge for April 11
April 11— For today's prompt, take the phrase "Maybe (blank);" replace the blank with a word or phrase; make the new phrase the title of your poem; and then, write the poem.
Maybe This Isn’t Such A Good Idea
By Bill Kirk
Have you ever noticed how
All through the day we are faced
With decision points—large and small.
Should we do this thing or that?
Should we go this way or that?
Why not push on, full steam ahead?
After all, we’re on such a roll,
And wouldn’t it be a shame
To lose our momentum?
On the other hand,
We could simply stop—everything—
And allow ourselves in that moment,
That pause-for-a-breath moment,
To think, maybe this isn’t
Such a good idea after all.
That’s not to say we won’t do it anyway.
But if your gut is giving you pause
And your brain is holding open the possibility
Of considering an alternate course,
Mightn’t it be worth a wondering wait?
And could giving in to a second thought
Be a rare golden opportunity
Just waiting to be tapped?
Something to think about, no?
Then, again, an argument could be made
That trading prudence for the pay off
Gained from a little risk taking
Might be worth the price.
But, to paraphrase, whether something
Is a good idea or not, is ultimately all in the risk….
Maybe This Isn’t Such A Good Idea
By Bill Kirk
Have you ever noticed how
All through the day we are faced
With decision points—large and small.
Should we do this thing or that?
Should we go this way or that?
Why not push on, full steam ahead?
After all, we’re on such a roll,
And wouldn’t it be a shame
To lose our momentum?
On the other hand,
We could simply stop—everything—
And allow ourselves in that moment,
That pause-for-a-breath moment,
To think, maybe this isn’t
Such a good idea after all.
That’s not to say we won’t do it anyway.
But if your gut is giving you pause
And your brain is holding open the possibility
Of considering an alternate course,
Mightn’t it be worth a wondering wait?
And could giving in to a second thought
Be a rare golden opportunity
Just waiting to be tapped?
Something to think about, no?
Then, again, an argument could be made
That trading prudence for the pay off
Gained from a little risk taking
Might be worth the price.
But, to paraphrase, whether something
Is a good idea or not, is ultimately all in the risk….
Sunday, April 10, 2011
Poem A Day Challenge for April 10
April 10—For today's prompt, write a never again poem. Maybe you'll never again fall in love or never again tell a lie. Or maybe, just maybe, you'll never again not write a sestina.(Like that? It's a double negative.)
N’er again will yester be—
That time is now behind us.
Yet, perhaps in memory,
Its ghost may come and find us.
Will it ask us once again
Those questions long avoided—
Scraping wounds until our pain
Has fully been exploited?
Or will it probe a different trace,
And would our path be altered?
Had we run a different race,
Would we have won or faltered?
Truth be told, as life unfolds,
Despite how well we’ve striven,
Faith will shape what each life holds,
For we just get what’s given.
N’er again will yester be—
That time is now behind us.
Yet, perhaps in memory,
Its ghost may come and find us.
Will it ask us once again
Those questions long avoided—
Scraping wounds until our pain
Has fully been exploited?
Or will it probe a different trace,
And would our path be altered?
Had we run a different race,
Would we have won or faltered?
Truth be told, as life unfolds,
Despite how well we’ve striven,
Faith will shape what each life holds,
For we just get what’s given.
Saturday, April 9, 2011
Poem A Day Challenge for April 9
For today's prompt, write a time of day poem. In fact, make the title of your poem the time of day. For instance, "5:54 a.m.," 2:23 p.m.," "Midnight," etc. Then, write your poem. Of course, different things happen at different times of day. So have fun with it.
4:15 P.M.
By Bill Kirk
What a miserable
Time of day 4:15 p.m. is.
It’s in that limbo time
Between lunch and dinner
When it’s too late for
A mid-afternoon snack,
Yet the hungries are on the move.
You can feel them slithering around
Somewhere down in the bowel.
And then the sounds start—
Just a slight nagging at first,
Becoming more urgent
As they change from a quiet rrreeee-errrr
To a full blown grrr-ow-w-w-l.
For kids in school, let’s face it.
They are on the food clock
As soon as the last bell has sounded.
If they are quick about it,
And maintain their focus,
They will manage to get themselves
Home in time to do some grubbing
Before the 4:15 p.m. snack curfew strikes
And the time for grubbing is gone.
With all that late afternoon suffering,
It doesn’t take a rocket scientist
To figure out America is clearly
Out of touch with global gustatory reality.
Could there be any other explanation why
4:15 p.m. just happens to be time for tea?
There’s little doubt it is a
Pure survival strategy designed
To get them past humankind’s
Most vulnerable point in the day.
Why, tossing all that tea into the harbor
Those many years ago may have
Inadvertently put us on a
Terminal trajectory to our own doom.
Personally, I’m not a great fan of
Tea and crumpets but I must concede,
Crumpets trump cramps no matter the time
But especially at 4:15 p.m.
And don’t get me started on
Daylight Savings Time
4:15 P.M.
By Bill Kirk
What a miserable
Time of day 4:15 p.m. is.
It’s in that limbo time
Between lunch and dinner
When it’s too late for
A mid-afternoon snack,
Yet the hungries are on the move.
You can feel them slithering around
Somewhere down in the bowel.
And then the sounds start—
Just a slight nagging at first,
Becoming more urgent
As they change from a quiet rrreeee-errrr
To a full blown grrr-ow-w-w-l.
For kids in school, let’s face it.
They are on the food clock
As soon as the last bell has sounded.
If they are quick about it,
And maintain their focus,
They will manage to get themselves
Home in time to do some grubbing
Before the 4:15 p.m. snack curfew strikes
And the time for grubbing is gone.
With all that late afternoon suffering,
It doesn’t take a rocket scientist
To figure out America is clearly
Out of touch with global gustatory reality.
Could there be any other explanation why
4:15 p.m. just happens to be time for tea?
There’s little doubt it is a
Pure survival strategy designed
To get them past humankind’s
Most vulnerable point in the day.
Why, tossing all that tea into the harbor
Those many years ago may have
Inadvertently put us on a
Terminal trajectory to our own doom.
Personally, I’m not a great fan of
Tea and crumpets but I must concede,
Crumpets trump cramps no matter the time
But especially at 4:15 p.m.
And don’t get me started on
Daylight Savings Time
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